Alain Delon portrays an ace thief, recently released, who happens upon an infamous fugitive (Gian Maria Volont) and an alcoholic former officer (Yves Montand). Were launched into the lunatic orbit of Belmondos Ferdinand and Anna Karinas Marianne: Each is an impulsive, alienated, despairing soul who finds solace in the others desire for chaos and withdrawal. Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution. | Director: But Malik is a clever individualist and he learns to read and write, and exploits a friendship with another (released) French-Arab prisoner to pursue his own drug deals and invest in a power base within the jail. polished to perfection by an unassuming professional. Audran and Bouquet, as the first of Chabrols recurring Charles/Hlne couples, are superb in discovering secret parts of each other denied as much by complacency as convention. For many budding cinephiles, French movies are the final boss of film fandom. Purists may object to Taverniers treatment of Jim Thompsons excellent if sordid and sadistic thriller, Pop. | Among many other things, his film is the most intimate portrait of Tokyo yet made: from neighbourhood festivals to robots, under the sign of the Owl and the Pussycat. Embracing every level of French society, from the aristocratic hosts to a poacher-turned-servant, the film presents a hilarious yet melancholy picture of a nation riven by petty class distinctions. Sun, sex and suspicion. The Nazi attitude to cultural production parted from the basic rules that no anti-German sentiments were allowed and that any Jewish presence should be eliminated. | Dita Parlo plays Juliette, the smalltown girl married off to Jean (Jean Dast), captain of LAtalante, a grubby barge plying the waterways of rural France. Comedy, Drama, Romance. He follows her in his car, but she soon disappears and he bumps into Vidal (Antoine Vitez), an old friend and teacher at the local university. A young accountant (a still-flushed-cheeked Isabelle Huppert, in one of her most sensual and mysteriously protean performances) leaves her incredulous, angered bourgeois husband for an earthy, unemployed petty ex-con (a superbly equine and cocksure Grard Depardieu). Antoine is an inept thief who winds up incarcerated; somehow, Truffaut turned this saga into one of the most joyous experiences you could ever have in the cinema. Roger Honorat, The specialists differ on their views of these productions: some see these films as reactionary representations of women as they represent the Vichy ideology of domesticity, sacrificial motherhood and patriotism a new form of oppressed role, while others argue that they are positive films because they featured strong women. Melvilles film had a major influence in Hollywood: Delon lying on his bed is echoed in Taxi Driver, and Paul Schrader might have remade Le Samoura as American Gigolo. | Gross: Our heroine, Adle (Adle Exarchopoulos, astonishing), begins the film as a precocious high-schooler and ends as a grown woman still with plenty to learn about herself. Sometimes, an Oscar is the worst thing that can happen to a film. Simone Signoret, Home; News; Random Article; Install Vittorio De Sica, Financed by the Vicomte de Noailles, a dream patron who loyally pronounced the film exquisite and delicious, even as Right-wing extremists were pelting it with ink and stink bombs, this is a jagged memento of that Golden Age before directors forgot the art of filming erotica (the celebrated toe-sucking is sexier by far than almost anything since), the revolutionary avant-garde lost its sense of humour, and surrealism itself fell prey to advertising-agency chic. NB, A delightfully preposterous thriller (the McGuffin is some stolen Amazonian treasure), wittier than any of the Bond spoofs that subsequently flooded the market and a good deal racier than Raiders of the Lost Ark. PDS, David Thomson calls Clouzots a cinema of total disenchantment. A road movie set in the South of France, it chronicles through a series of comic and touching vignettes the burgeoning friendship among four men forced to share a station wagon. | SJO, Darker than Bob le Flambeur, Melvilles second foray into the Parisian underworld borrows its epigraph from Cline: One must choose: die or lie? Appropriately, in a film devoted to the principle of duplicity, Melville teases the spectator by reproducing the police station from Mamoulians City Streets, while his Paris features American lampposts, call-boxes and subway entrances. Jean-Luc Godard Bernadette, as always, obeyed and asked her. CPEA, Devilishly suspenseful, Henri-Georges Clouzots thriller about two women who conspire to knock off a sadistic boarding-school headmaster (Paul Meurisse) one of the women is his wife, the other his mistress has all the dark humour and clever tension of a Hitchcock. But it is a hard comedy whose punchline is the absurdity of shameless power and shamed truth. Written and directed by the French-Tunisian Abdellatif Kechiche, it is the richest film of his career. $0.30M, 80 min | | Stars: Malik is now Csars vassal, working for him on the inside and, later, using a series of day-release excursions to represent his criminal interests on the outside. Unlike traditional buyers, we purchase your items directly. Biography, Drama, History. | Get 10% extra value when you join our Loyalty Program: earn points when you sell, buy or trade-in.How It Works1. Paul Ddalus is slowly realising that, as Gainsbourg wrote, physical love is a dead end. And thats how the film. The ingredients are fairly simple in this star-powered psychological thriller which has remained underexposed outside of France. Owing to its technical and artistic similarities with Feuillade's other films, Fantmas and Judex, the three are frequently thought of as a trilogy. We can't do it without youAmerica Media relies on generous support from our readers. During the 1940s, in the German-occupied zone in France, German films monopolized film screenings because ___ a ban on the imports of American, British, and French films from the Vichy area was imposed What did Germany intend to achieve by permitting the French film industry to resume production in the 1940s? Marcel Lucien, And while director Michel Hazanavicius is faithful to the silent form there are title cards and luminous black-and-white cinematography hes not afraid to subvert the rules of the genre: twice, the film breaks the no-sound barrier, to striking effect. Stars: Tracing the self-sacrificial exploits from October 1942 to February 1943 of a small group of field operatives the acerbic Lino Venturas ex-engineer, Simone Signorets iron-nerved Mathilde among them Melvilles film adopts a formal essentialism to outline the codes and manners of impassive-looking warriors over whom the Damocles sword of discovery, torture and death is ever hovering. The tug of love between the monster and the maiden is never overplayed, but neither does the film shackle this beast he remains unpredictable and threatening throughout. | Gross: La Maison Tellier, the longest episode, deals with a days outing for the ladies from a brothel, and a brief romance. If you are looking to sell diamonds, luxury jewelry, watches, handbags or sneakers we look forward to being of service and are on hand to answer any of your questions. Try another? You can find her on Twitter @ArtemisTsatsaki. "), four men tussle for the affections of one woman, the conflicted, sphinx-like Garence (Carn | Her work has been included in the anthologies 'City of Stories', 'Underline', and 'Laced' and she currently writes for ScreenRant and CBR. 8. Presumed lost, the films original print, hand-coloured by Mlis himself, was rediscovered in 1993 and restored in 2011. But as the title implies, Campillos film takes to the dance floor to shake them loose in a flurry of loose limbs and free spirits. | Handsomely shot on location in Brazil, with Belmondo as the cheerfully indestructible hero who cliffhangs, climbs buildings, imitates Tarzan, parachutes almost into the jaws of a crocodile, and does his best to cope with the enchantingly unpredictable Dorlac (late lamented sister of Catherine Deneuve). La ville sicilienne de Castelcuto est en liesse. How is it in any way inaccurate or unfair to point this out? In 1431, Jeanne d'Arc is placed on trial on charges of heresy. Slightly pompous preamble aside, this Beauty and the Beast is pure joy, a self-conscious but never precious attempt to revisit childhood fantasies and half-remembered dreams. Horror movies, especially supernatural ones, often turn on questions of authority. Raymond Aimos, Not Rated Le Masque describes how an old man wears a mask of youth at a dance hall to extend his youthful memories. Dont be surprised if were still referencing this one in 25 years. | 2. From nostalgic and subversive locals who capture the real essence of life in this miraculous city to wide-eyed foreign visitorsriffing about what it is that makes it such a magnet for outsiders, these are the absolute best songs about Paris according to us. The beauty of monochrome 50s Paris helps, but the magic is in observing the thrill even a maltreated child will snatch from a book, a film or a day truanting at a funfair, through the gaze of a former critic whose elation at getting his hands on a camera burbles through every shot. Bernadette, at the close of her earthly life, confronts monsters within herself and falters. Jean Tdesco But Ripleys growing infatuation with his wealthy friend turns murderous, and Greenleafs girlfriend, Marge (Marie Lafort), is one of many caught up in a tale of deceit and desperation. Louis Jouvet, Robert Bresson But in another, this is his most personal work in years, less important for its return to narrative. A dutiful trip to the theatre is a revelation. From the island singer in I Walked with a Zombie to the project kids in Candyman; from the disbelieved teenagers in A Nightmare on Elm Street to the disbelieved teenager in The Song of Bernadetteauthority, in horror, lies with those to whom powerful men do not listen. No question of grace here, simply of grind and grime as four prisoners joined and eventually betrayed by a fifth laboriously tunnel their way to a derisory glimpse of freedom. | The ultimate night-time film noir noir noir until Belmondo pulls his own eyelids shut when he dies. Strong Prices: Our prices are typically much higher than what you would receive from gold buyers or pawnbrokers. Stars: It has been accused of valuing style over substance, but place the film in its historical context and its true intent is revealed: in the wake of unimaginable horror, this kind of fantasy is still achievable, and perhaps more important than ever. The film wasnt restored till the 1950s. | He combats the inertia and boredom of his frustrated antagonists with a thrusting, jiving camera style which harries and punctuates their rambling, often very funny dialogue. Director: They converse in disjointed, inhumanly droll patter, duff up gas station attendants and eagerly concoct a new civilisation on a deserted beach. Its possible to overstate the extent to which all this is a bunch of fun: if shown, as it often is, in one great unnatural marathon, it can be sheer torture. Simone Renant, | Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy. Sverine makes fervent protestations of love but cannot, alas, consummate; instead she succumbs to theatrically erotic reveries of being whipped by two burly coachmen, pelted with shit while wearing a diaphanous white gown, elaborately bound to a tree. Elina Labourdette, Making use of locals instead of professional actors lends authenticity to this impressive look at a group of otherwise innocuous teenage lads in a boring northern French town (Bailleul in Flanders), driven to violence by a mixture of boredom, jealousy, macho pride and ingrained racism. Tatis first film in colour. Have the idiocies and evil premises of feminism now descended to the point where defending a Catholic saint against the slander that would characterize her as an icon of feminism need to be reduced to a secular caricature of created from a trivializing hatred for men in a, however pretentious, Catholic publication? Ronet gives a remarkable, quietly assured performance as the alcoholic who, upon leaving a clinic, visits old friends in the hope that they will provide him with a reason to live. Blue is the Warmest Colour is a minutely detailed, searingly erotic three-hour study of first lesbian love. Clouzot neednt have worried: on a good day, he was arguably better. Little is said, but past indiscretions hang in the air. DC, The great Louis Malle shepherds all the elements of a great thriller into an endlessly entertaining, quickfire 88 minutes in this juicy Parisian noir. Once on board, Juliette is caught between her uncertain love for Jean and her desire to see a world beyond the restrictive confines of the boat. Walter Green, He is protected from arrest by his friends, but is torn by his desire for freedom outside. For the Laurents, its the start of a horrific upset that mirrors the disturbing breakdown of familial comfort that characterised Hanekes Funny Games, Time of the Wolf and Bennys Video. Enter the Void is his third feature and its a kinetic attempt, with added special effects, to capture the spirit of a city, Tokyo, and a dead young American, Oscar (Nathaniel Brown), whose ghost floats about in a vaguely Buddhist manner after being shot dead by cops soon after smoking the drug DMT. The term film noir stuck. French Cinema During Nazi OccupationA Double Edge Sword for Development. Franois Truffaut But Ripleys growing infatuation with his wealthy friend turns murderous, and Greenleafs girlfriend, Marge (Marie Lafort), is one of many caught up in a tale of deceit and desperation. Jean-Claude Guilbert, A bookseller saves a tramp from drowning and shelters him, but the tramp's odd behavior starts to wear everyone down. But Malik is a clever individualist and he learns to read and write, and exploits a friendship with another (released) French-Arab prisoner to pursue his own drug deals and invest in a power base within the jail. Filmmakers from David Cronenberg to Eli Roth have been chasing the sensation ever since. He flees to Barcelona, where he runs out of money. PDS, Although the setting is changed from Big City USA to the dismal, wintry Paris suburbs, this neo-noir retains the outline of Jim Thompsons source novel (A Hell of a Woman), following the trajectory of its door-to-door salesman until, with an almost audible Voil!, hes deposited in an abyss of hopelessness thief, triple murderer and not a sou to show for it. He follows her in his car, but she soon disappears and he bumps into Vidal (Antoine Vitez), an old friend and teacher at the local university. There they meet a local man, Gilbert (Bernard Menez in his first role), who they tease and tantalise mercilessly. Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions. Badly wounded, he nonetheless recovers, Le Cercle Rouge quotes a pseudo-Buddhist aphorism essentially asserting that people who are destined to meet will do it in the red circle, notwithstanding what zigzag paths they may follow towards it. Patrick Bauchau, Danielle Darrieux, Both the Nazi regime and the French industry beneficiated from each other during those years, according to journalist Lincoln Kristein. Stars: When movies such as Double Indemnity, Laura and Murder, My Sweet (all 1944) saw delayed release in Paris after the end of the Second World War, critics likened them to the romans noirs of 1930s crime novelists such as Raymond Chandler, James M. Cain and Dashiell Hammett. | 101 min Godards ambitious, sweeping eight-part video project exploring, as per the pun in the films title, the history, histories, story and stories of cinema, is often considered the most important work of his late career. Robert Bresson Born into poverty, she was discovered on the streets of 30s Paris, singing for her supper, precipitating a remarkable rise to fame and fortune. She dreams of going off with Jean, a dockworker. String, that lot together and youve got a showbiz story to rank with A Star Is Born for sheer all-out melodrama. At the heart of this ambiguous world is Silien (Belmondo), by repute a professional informer, who juggles twin friendships with a police inspector (Crohem) and a burglar (Reggiani). However, his ill health, a brief return to the debauchery of brothels and drink, and his irrational resentment of his brother Theos failure to sell his work, provoke erratic swings from brooding introspection to frustrated anger. Past indiscretions hang in the air a showbiz story to rank with a is... Together and youve got a showbiz story to rank with a Star is Born for sheer all-out.... 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